I first planned to see this movie in July when it was first scheduled. For whatever reason, STX, the distributor, decided to postpone its release until September. Later, they postponed it again to this weekend against movies like Frozen II and It’s A Beautiful Day in the Neighborhood. So, despite my excitement at wanting to see a crime flick headlined and co-produced by the star of Black Panther, Chadwick Bozeman, my expectations fell to a low.
Bozeman is André Davis, the son of a decorated NYPD police officer killed in the line of duty. 19 years after his father’s death, Davis is under investigation by Internal Affairs because he’s been involved in a lot of officer-involved shootings.
One night, two dudes raid a drug gang’s cache at a restaurant in Brooklyn. However, instead of finding 30 kilos of cocaine, they find 300. They decide to take 50, but before they can get away, four policemen show up at the door to the restaurant. One of the dudes, Ray Jackson (Taylor Kitsch), rather aggressively takes out of the four cops, but backup arrives, and Jackson takes them out as well. Jackson and his partner, Michael Trujillo (Stephan James), leave Brooklyn and head over to Manhattan to meet up with their contact.
Meanwhile, back in Brooklyn, precinct captain McKenna (J.K. Simmons) drafts Davis to find and dispatch Jackson and Trujillo with extreme prejudice to spare, as we saw in the trailer, the policemen’s families the trauma of “trials, appeals and parole hearings.“ It would seem that someone like Davis with his reputation would be the perfect judge, jury, and executioner.
The FBI tries to take over the case, but Davis and McKenna convince them to give Davis until morning to find the shooters. Davis has a plan: shut down all transportation in and out of Manhattan. He also has lots of questions: questions about why things went down the way they did. So, he and a narcotics detective, Frankie Burns (Sienna Miller), set out to find the two shooters before dawn breaks.
Director Brian Kirk revs up the tension from the moment the drug heist begins, and he doesn’t let go until the movie ends. That’s not easy to do when he’s directing from the script by Adam Mervis and Matthew Michael Carnahan. Not that the script is weak, but it’s somewhat predictable. However, Kirk has some advantages from the score by Henry Jackman and Alex Belcher and the stellar cast headed up by Boseman, Simmons, Miller, Kitsch, and James. There are some other recognizable faces including Keith David and Alexander Siddig. The cinematography by Paul Cameron is excellent, not burdened with a lot of CGI, and there’s a stellar performance by the city of Philadelphia as Manhattan.
This is one of the first productions from Joe and Anthony Russo’s AGBO Films; they brought the script to Boseman, who also produced the movie along with his partner, Logan Coles and others.
Unfortunately, this film opened against Frozen II and It’s A Beautiful Day in the Neighborhood, but hopefully, you’ll head back to the theatre and take in 21 Bridges. It’s a welcome treat for adults.